![]() ![]() When I reach the end and have all my COMP audio on the top playlist, I set view to Waveform, which hides all the playlist record passes.Īs for volume, since all playlists play THRU the same plugins, the volume should never change(unless you cause it to change somehow, like maybe the singer doesn't stand at the same distance from the mic. Play a line>stop>solo next playlist and repeat Once I hear the best, I highlight that clip/area and hit the up arrow to place it on the "COMP" playlist. Now I audition each pass in sections by hitting the SOLO button on playlist. Once I have all the passes I want, I create one more new playlist, and name it LdVox.COMP. After that record pass, I create a new playlist(which gets auto-named LdVox.03, etc). Once its finished, I select Create New Playlist(it will automatically be named LdVox.02, which helps me keep track of which take is which). Now I record a pass on this track/playlist. I name the track LdVox.01(or whatever the source will be, with the ".01" after the name). ![]() ![]() This is how I do it: set my EDIT window track to show playlists(sometimes, if you don't select to show them, when you make new ones, the old ones, which are hidden, are made inactive due to some little PT bug). I suggest going to youtube and watching some videos on using playlists in pro tools. A stack of playlists cut to the same click allows quick editing and compiling of our favorite bits of each performance into a finished song. Playlists allow us to save and switch between multiple performances, whether of entire band tracks or vocal or instrumental takes. I can tell you are confused and its rubbing off on me. One key to quick and effective recording is the use of Pro Tools playlists. ![]()
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